Soliloquy, a dramatic device used by playwrights to
reveal characters’ innermost thoughts, is used in Shakespeare’s famous tragedy,
Hamlet.to show Hamlet's feelings, thoughts and the changes of his mind that
undergoes throughout the play. As the play progresses, the audience witnesses
Hamlet in a vast range of emotions and much of these are revealed in his
soliloquies. Without these “Hamlet’s character would have even less
incomprehensible, and the audience and audience would be less able to
experience the tension of the play and to gain insight into its problems.”(Wolfgang)
Hamlet's initial soliloquy is found in Act 1, scene 2.
His speech portrays his disgust, anger, sorrow, and grief over his mother's
sudden re- marriage so soon after his father's death. This soliloquy gives ‘’his
own side of matter, expressing disgust at Claudius, venting at his anguished
disappointment at his mother” (Maher) Hamlet is lost and locked in his own
mind. He starts his soliloquy-
"O that this too too solid flesh would melt,
Thaw and resolve itself into dew."
He does not want to think about all the events
happening around, but he can't help doing so. He is very upset and does not
know what to do. He feels disillusioned with the world.-
"How weary, stale, flat and unprofitable'
Seem to me all the uses of this world!"
Hamlet goes on to complain about his mother for not
mourning long enough. He deplores his mother's character. Not even two months
have passed and she has married a man who is much inferior to her old husband.
Her over hasty marriage, which he considers "an incestuous affair"
makes him believe that women are weak and inconsistent creatures, he
generalizes-
" Frailty thy name is woman!
Hamlet's second soliloquy comes just after the Ghost
leaves him, after charging him with the duty of taking revenge upon the
murderer of his father. Hamlet resolves to wipe out everything else from his
memory and to remember only the Ghost's command.-
"from the table of my memory
I'll wipe away all trivial fond records,
And thy commandment all alone shall live."
“The manner in which Hamlet here speaks of never
forgetting the Ghost's words makes us think that Hamlet will soon plunge into
action and carry out the behest of the Ghost” (Arora)
In
act 2, scene 2, Hamlet's third soliloquy is seen which reveals Hamlet's views
and feelings. Hamlet starts this soliloquy with "now I am alone", in
a tone that he's had enough of it and that he needs to get away from other
people. “Hamlet is so full of
conflicting . . . in avenging his father’s murder that he is virtually puzzled
by the inner turmoil. His soliloquies reveal his dilemma” (Ron Cameron) In this soliloquy he also
bitterly scolds himself for having failed to execute his revenge so far. He
calls himself
"a dull and muddy melted rascal, peak
…And can say nothing- no, not for a king,’’
But again he castigates himself not for taking action
to avenge his father's death-
"Why, what an ass am I! This is most brave,
That I, the son of a dead father museder'd,
Prompted to my revenge by heaven and hell,"
Thus at the end of the soliloquy we see him planning
to enact the Mouse trap play
"The play is the thing
wherein I'llcatch the conscience of the King."
In the 4th soliloquy, Hamlet hits upon a mental nadir.
"To be or not to be "can arguably be Shakespeare's most recognizable
quote in all of his works. Hamlet attempts to reason with himself on whether or
not death is the only solution to end all life suffering portrays him as both
confused and cowardly. In this monologue, Hamlet goes into tough debate over
whether he should end his own suffering by committing suicide or to step it up
and revenge for his father. This soliloquy partly explains Hamlet's delay in
carrying out his purpose.
Hamlet's mental status shows some promise in his 5th
soliloquy. Hamlet describes his mood as one in which he could "drink
hot blood, and do such bitter business as the day would quake to look on".
In this mood he can even kill his mother. He resolves to "speak daggers to
her, but use none."
This soliloquy occurs on his way to meet his mother in
the closet. He sees the King at prayer and gets an opportunity to kill him, an
opportunity for which he has been longing so far. And yet he does not act
because-
Now might I do it pat,now he is praying.
And now I will do it, and so he goes to heaven
Hamlet decides to wait for an opportunity when his
uncle is
"drunk asleep, or in his rage,
…or about some act
That has no relish of salvation in't . . .
This soliloquy emphasizes his delay and
procrastinating nature.
Hamlet finally gains the courage to avenge his
father.. Hamlet then feels ashamed of his unwillingness to go after Claudius.
It dawned on Hamlet that he had been thinking too much and acting too little.
With his new determination to avenge his father's murder he vows,
"o, from this time forth,
My thoughts be bloody, or be nothing worth!"
This soliloquy once again emphasizes Hamlet's
irresolution and his meditative temperament. His temperament pricks him and urges
him but as a natural deficiency always obstructs him.
In addition to that various scholars and authors have shown
the importance of the soliloquies of Hamlet. For example, Rolf Soellner says, “Hamlet’s
soliloques. . . are fascinating and perplexing exercises in self analysis”
Ralph Berry argues that a principal function of
Hamlet's soliloquies is to impose "his viewpoints upon the
audience."
In
act 3, scene1, there is a soliloquy by Ophelia in which her grief over what she
thinks over what she thinks to be Hamlet's loss of reason. This soliloquy gives
her idea of the great qualities of Hamlet- scholar, soldier, and ‘the observer
of all observers
To
conclude we can say that each soliloquy gives us insight into his ability to
think and his failure to act in it. It brings the audience into his
consciousness and gives us reflection into the most profound thoughts and
emotions of the character. Each soliloquy divulges his motivations, or lack
thereof, as well as his mental state of the time of each one.
References:
01. Wolfgang Clemen(2005), Shakespeare's Soliloquies. Retrived from books.google.com
02. Ron Cameron[1999]:Acting Skills for Life, Dundurn Press
Ltd
03. Mary Zenet Maher[1992]Modern Hamlets and
their soliloquies, University
of Iowa Press
04. Arora P.N, Dwivedi A.M, Shakespeare's Hamlet, Anmol
Publications PVT. LTD.
05. Rolf Soellner (1972) Shakespeare's patterns
of self-knowledge, Ohio State University Press.
For more information about this topic, visit the following sites too:
https://en.wikipedia.org/wiki/Hamlet
https://en.wikipedia.org/wiki/Soliloquy
https://en.wikipedia.org/wiki/William_Shakespeare
More notes on Shakespeare:
Click here for notes on Macbeth
For more information about this topic, visit the following sites too:
https://en.wikipedia.org/wiki/Hamlet
https://en.wikipedia.org/wiki/Soliloquy
https://en.wikipedia.org/wiki/William_Shakespeare
More notes on Shakespeare:
Click here for notes on Macbeth
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